Eric Yahnker
Steve Jobs' Day Off

Eric Yahnker

Steve Jobs’ Day Off

April 28th – May 22nd, 2016
OPENING: Thursday, April 28th from 6-9PM

The Hole is proud to announce the second solo exhibition at the gallery by LA-based artist Eric Yahnker. In the exhibition Yahnker will unveil eight new works on paper, along with sculpture and installation.

“Steve Jobs’ Day Off” is a considered exhibition looking obliquely at cultural forces in America and presenting a sort of visual poem, open-ended and non-didactic, but at times mordant and definitely satirical. Gender stereotypes, generational differences, political philosophies and personal prejudices are all triggered by his carefully concocted and luminously rendered works on paper.

Using imagery from pop culture and recognizable people or products as a surface level entry point to each work, Yahnker draws the viewer in to the deeper semiotic and sociopolitical concepts beneath. The artist seeks out points in his own psyche that are dark or embarrassing or unresolved and exposes his own problematic personal perspectives to the public. A bit of head-scratching is OK: confusion for the artist is a productive state of mind, a grey area where he thinks most of life and especially politics resides.

For example how would one “explain” the work above, “King’s Court” featuring to-scale renderings of LeBron James and Michael Jackson playing defense in his loafers? It depicts two top performers in their performance attire, each somehow making the other’s outfit look ridiculous, but the scale is perhaps the most visually powerful aspect; how huge LeBron is, his massive Nikes and giant deltoid muscle larger than Michael’s head. Michael’s virtuoso dance moves are juxtaposed to James’ goliath-like power and equal but different finesse. In the presentation of two examples of male masculinity and prowess, James has home court advantage being on a basketball court, however Jackson seems in charge, unperturbed, and having a better time; after all it is titled “King’s Court.”

Other drawings in the show include a giant decontextualization of the Reuben’s painting “Rape of the Daughters of Leucippus” where the overly-casual central female is landing a layup over her captor’s heads; “Hang In There” features a slumbering vampire bad hung pendulously under the tight-jeans covered crotch of an anonymous dude; “Bong Gone” is a meditation on utopia with a phallic bong full of very chill dolphins; while other works include high heels, hybrid cars, what looks like Sarah Palin and a beautiful shirtless Picasso drinking a Frappuccino.

Intentional visual and conceptual ambiguities act as a Rorschach Test to the individual viewer; depending on where you are coming from, “Steve Jobs’ Day Off” could prove to be way more disturbing than a walk in the park. More complete information on the works will be at the gallery and on our website after the opening.

For more information about the artist and to preview works in exhibition please email raymond@theholenyc.com.

 

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2016_AND1_92_5x72 copy

And 1 (After Rubens), 2016, colored pencil on paper, 92.5 x 72 inches

2016_Bong_Gone_54x54

Bong Gone, 2016, colored pencil on paper, 92.5 x 37 inches

2016_Crosshairs_48x37

Crosshairs, 2016, charcoal on paper, 48 x 37 inches

2016_Hang_In_There_42x42

Hang In There!, 2016, colored pencil on paper, 42 x 42 inches

2016_Hot_Heel_42x42

Hot Heel, 2016, colored pencil on paper, 42 x 42 inches

2016_Kings_Court_76x68

Kings Court, 2016, colored pencil on paper, 76 x 68 inches

2016_Picassocino_54x54

Picassocino, 2016, colored pencil on paper, 54 x 54 inches

2016_Purrius_54x54

Purrius, 2016, colored pencil on paper, 54 x 54 inches